Sunday, February 28, 2021
My First Bank.
Saturday, February 27, 2021
Culturetenment in Betma - part 2
Wednesday, February 24, 2021
Culturetenment in Betma.
Kusum was the name I was forgetting the other day, the sixth girl in my class that went missing and I was feeling frustrated and wondering how can whole girl go missing from my memory. She had an elder sister Vijaya one class ahead of us. Their father Dr Prakash Jain was an RMP and had his clinic in Poora Bazaar in Jhalara Kothi that had one passage in the middle and otherside as you might have predicted was the pharmacy owned by Dwarka's father but I noticed that's where Dwarka was always found when he was not in the school, assisting in business. He was in class 10th with Damu and Vijaya. The clinic had a little platform, must be about 4 feet wide that served as waiting room on one side and on the other one huge glass bottle was kept on a wooden stool that had a red concoction that was the master medicine for general ailments like cough. Dr Prakash Jain had a younger brother who had finished his graduation and was idling so he was asked to train himself up to assist. Pavan was a happy go lucky guy but didn't mind attending patients. He was also my cricket commentary listening buddy and we and some more cricket enthusiast would listen commentary at the clinic whenever Dr Prakash Jain was not at the clinic but even when he was and no patients around he didn't mind if any important match was going on.. he indeed was a kind hearted person most suitable to be a doctor. Pavan called me Chandrasekhar, who was the star off-break spinner of team India in the sixties and early seventies, one reason for naming me such was that I claimed to be an off spinner and the other I will tell later, that's another story.
Adjacent to the clinic was another residential building that had no shop. The other side of that was the house of another friend Murali Soni who was also one class ahead of me but was a sport and with his cousins Gopal and Trilok Jajoo, who were respectively in 11th and 9th we often enjoyed playing the board games. Murali had two elder brothers and a younger sister Radha but I am forgetting what his father did. Perhaps, he was a pawn broker like their neighbors on the other side Seth Jeevanram. Seth Jeevanram was like Nagar Seth of Betma. Very rich and a strictly miser who lived like a poor peasant to hide his wealth. Seth Jeevanram was a widower and childless and once he unsuccessfully adopted an heir as was common amongst Marwari people but didn't like him as that guy appeared spendthrift, careless and irresponsible so he was "de-adopted" and in his place Harakchand was adopted. Harakchand was petit and fair looking young man must have been in his early twenties. Usually, such adaption would happen from some relative or other, so Harakchand must have been some blood relation. Seth Jeevanram and his ancestors were known for exploiting hapless farmers who would come to him under duress to borrow money by mortgaging their land and/or gold/silver jewelry for a failed crop or for children's wedding. Within a year or so Hukumchand proved that he was a worthy heir to continue the tradition. Long before his arrival in Betma, on one weekly haat/bazaar day some gangsters (who must have taken to this profession after such exploitation) came to Seth Jeevanram's shop pretending to be clients for borrowing money and when Seth went inside to get something, warning shots got fired and he and his servants were overpowered, they took away whatever was within their sight but that must have been a fraction of his wealth. Some of these armed decoits were guarding the place and the market had immediately emptied out completely when they had heard the first shot. In a matter of 10 minutes everything was over and before cops could decoits vanished. Police station was not very far and seeing people fleeing from the market cops must have known about this event but they surfaced only when the "show" was over for their own safety. More from the fear of losing a lot of money than any other shock, Seth Jeevanram fell unconscious. This incident that had happened a couple of years before we moved to Betma and was told me by my father long ago and by several other people after we moved.
Between Dr Prakash Jain's clinic and Murali's house was another building that was unoccupied for several years after we moved but got rented in 1969, when I moved to class 9, to one Dr Shukla, MBBS who got transferred to Betma as in-charge of the civil dispensary. Dr Shukla must be in his late forties and had three daughters oldest of them Shobha didi, must have graduated by then, middle one was college going and the youngest one in class 10th then. A new comer in Betma and in the school she had sensationalised the place with her intelligence beauty. So much so that before she left for school and till she reached home idlers would be queueing up is some corner in Poora Bazaar to have a glance. I don't recollect their names but like Kusum's name bounced in my mind this will also come sometime later. Years later in mid eighties when I worked with Tandon Corporation in SEEPZ, Bombay someone had informed me about Shobha Didi who lived in neighborhood and asked me to meet her. I was meeting her almost 13-14 years after I had left Betma and it is now another 35 years since I last saw her and have neve known their whereabouts. Around this time Dr Khadaite had established him own practice and perhaps had quit his government job. Mrs and Dr Khadaite were lovely couple and well to do and Mrs Khadaite (my maasi) loved me a lot, as maasis do. They had four children a boy Satish followed by three daughters Usha, Nisha and Sandhya. Satish was two year ahead of me in school and girls were much younger (3 to 6 years in that order). I wondered if doctors had a boon of having daughters than sons as besides Satish the three doctors in Betma had 8 daughters between them.
Dr Jain's house was the end of Poora Bazaar and there was an empty government plot that was used for recreational activities. There was a 30 feet wide opening to this a the row of residences on one side of the road ended short this ground and the last house was that of Ramu another classmate since my 4th standard who got dropped out after the 8th. He must have been 16 then and had started working initially as a tempo cleaner and later became a driver ferrying passengers from Betma to Indore. He had to do this as he lost his father and there had no option. The plot would turn into centre of the village whenever there was any festivity. Ramlila was the most prominent of those as three day before the navratri and two days after Dashhara the place would be buzzing with activities. Usually there was a visiting troupe of professional Ramlila performers who would stage this ticketed event. Booing and clapping was constant depending on the characters on the stage. In those days it was not common to find female artists so everyone on the stage was a male artist performing roles of all ramayana characters. The prettiest of the male artist would be playing the role of Sita and whenever she would step on the stage audience would bow for her. The show would start with a puja and aarti and end with the same the only difference is that in the end one of the characters would carry a donation box and ask everyone to contribute and collect as much as the ticket money would be as some generous and religious people would offer as much as a rupee or sometime Rs 2.
The funniest part of the Ramlila would be when a regular artist would not show up and a standby would require continuous prompt and often audience could hear him shout to the prompter ऊँचा बोल ( say loudly) and he still would not comprehend so the prompter himself will say the dialogue reading from the script and would go backstage annoyed.
On the same ground with audience facing the other side (if one was the Ambani end other would be Adani end of Narendra Modi stadium) once a year or sometimes more frequently there would be a dance drama troupe stationed there for a month. Usually this would be soon after Ramlila as that was the best time of the year weather wise. If the tickets for Ramlila were Paise 10 to Paise 50, here the tickets would be from Paise 25 to Re 1.00. They would some play and in the two or three intermissions there would be 15-20 minutes record action each. So the whole show would take some two and a half hour. These will be more entertainment than any literary activities. So the typical plays would be Harishchand-Taramati, or Sultana Daaku or Putli bai or some locally scripted plays like "andhe ki laathi" etc. rather than Kalidasa's Meghdoot or Mohan Rakesh's Aadhe Adhoore. This was the place for people to relax and get entrained that I just thought of defining as CULTURTAINED than to have anything that would be thought provoking. Majority of people would go out for a smoke during the play but would be back during the intermission to watch the dances that I won't say provocative but definitely attractive.
The dancing girl Baby Indira must have been 6 or 8 year older than me and in her full bloom when I first saw her in 1966 or a year later when I was a 9 year old. I am not sure if this was her first trip to Betma but that was the first time I saw her. I was ushered in the theatre by a friend as I don't think I had money to see the play. That day when play started like others I also laughed at the jokes that were said by an entertainer when artists would go for change of dresses. Soon it was time for "Intermission" and record action and I heard " jhumka gira re Bareilly ke bazaar men" blaring over the sound system and baby Indira made her entry from the left side of the stage dressed in a flared pink coloured beautiful dress. Even at that young age I was spellbound and couldn't take my eyes of that beautiful dancer and with wide eyed said "wow". The dance must have gone on for 5 minutes but even after 50 years that scene is engrained. I wonder if I bothered to listened to the song, I was simply glued and looked her. During the two or three breaks that night there there would have been 5 or 6 numbers when Baby Indira may have danced. She made me forget even the name of the play and I returned home starry eyed that night. Those were the days when parents won't question or raise their voice even if you didn't come back, assuming I may have stayed with a friend for the night.
During rest of the troupe's stay I may have gone twice again and had the same " attack" as the first time. Couldn't go more often as that would have raised some suspicion here and there. Once during the day I went to the theatre, there was no gate or ticket and found Baby Indira flying a kite, I went near her with a curious look hoping she will burst into a song and dance for me...
Picture of Sadhna performing on "jhmka gira re" from film Mera Saaya. downloaded from Internet.
Bravehearted Sheru Chacha.
Tuesday, February 23, 2021
कौंच की फली (Mucuna pruriencs beans)
Sunday, February 21, 2021
Learning English language.
Saturday, February 20, 2021
If I were a Principal.
Dumbel PT was very exciting and I would do it dexterously for
which I was chosen to lead the PT in the school every morning along with a
couple of other students who would take my place as standby if I didn't come to
school. Not just dumbels but even the other forms of PT, I will lead that would
include the PT in standing and sitting postures. So the lead student would be
mounted on a sturdy table in the front row and sometimes on the dais that was a
small multi-purpose platform that would be used every day for school assembly
for prayers and on special occasions for addressing the congregation as well as
to stage plays and other school functions. I was always the youngest in my
class from kachchi pehli ( KG equivalent) till the end of my engineering
degree. From KG till 3rd standard, 4 classes I finished in 3 years. In the
sixties there was a provision that if you perform well in the class you are
given an option to appear for exams of the next class and should you clear that,
you get promoted not just one class but two classes in one go. When I started in
kachchi pehli (one class before class 1) then too my fellow students were older
but after the "double promotion" when I cleared both class 2 and 3 in
one year, everyone in the class was on an average two year older than me.
Most often I was a favourite student of teachers as I was
obedient, I think so. Perhaps that's why in the middle school classes (6th
through 8th) I got the chance to lead PT. Everyone used to call Dumb Bells
"dumbel" and I never knew until many decades later that it is dumb
bell and not dumbel and realised it is an English word and not a Hindi one. After
passing out from school no one talked about dumbels and the next time I saw
them was in a Talwalkar’s gym in Bombay during Asian games in 1982 when there
was a frenzy in sports activities. The PT drills got so engrained in me that
even today I know all those sequences एक
दो तीन चार, पांच
छः सात आठ, आठ
सात छः पांच, चार
तीन बदली कर (one two three four, five six seven eight,
eight seven six five, four three change to the next).
When I went to class six the school changed from primary to
middle. Middle and Secondary both were in the same premises with different
class rooms and different staff rooms for teachers. In the middle school we
were not taught home science or science but instead we had horticulture (बागवानी). So the subjects were
Hindi, Sanskrit, Maths, Social Sciences and Bagwani. Mr Sabnis was our Principal for the entire
school, he was a very handsome, tall man and a strict administrator. I always
looked at him in awe whenever I saw him and although his younger son was in my
class and I never managed enough courage to go up to him and meet him beyond
saying "namaste sir" when I saw him in the premises. His elder son
Vipin was in the last year of school when I was in sixth and I used to admire
and fancy him as he too was equally tall and handsome and would play cricket
with us even after he passed out from school. As every student, I too was fond
of cricket and always loved to bowl as a left-hand off-break spinner. I used to
manage to spin the "leather" ball on the soft mud pitch that we used
to curate ourselves. Now, I shudder to think of the danger the leather ball
posed without any safety gear. I always used to wait to bowl Vipin bhaiyya but
never managed to take his wicket. The game of cricket continued until I
graduated from the high school.
The same year my father was transferred to another village
on the other side of Sanawda called Badi Billod aka Kali Billod that had pucca approach
road. My father also saved up some money and bought a bicycle to save on time
as Kali Billod was more distant than Sanawda, about 5 kilometres from home and
walking would have taken much of his day. It was a Raleigh, a new shining
bicycle that we were not allowed to fiddle with since we didn't know how to
ride that’s because we were not tall enough. But I was so impressed with the
cycle from this British company that when I got admitted to engineering college
many years later and bought my first bicycle that was also Raleigh. Unlike the
one for which father paid some Rs 75 six years earlier, I paid Rs 192 for mine
out of my own, my scholarship money.
But there was an excitement to ride a bicycle. I think I was
in class 7th when one day I decided that I will ride a bicycle. I had done that
a couple of times earlier with Damu and managed to balance it well. Since I was
not tall enough to get over the bike, I used to ride it what we called a kenchi
(scissor) style. It was very common those days for kids who didn't reach to the
height of the seat. In kenchi, you would put one foot on ground and take the
other on the peddle of opposite side and by giving a push through the paddle
you will bring the cycle in motion and paddle only half and half while
balancing the cycle, both your feet are still well below the front bar where at
times a passenger would sit. When you become expert but still not tall enough,
you would paddle full circle rather than half and half. So that day I sneaked
out of the class on some pretext and picked up a bicycle from the cycle stand,
I didn't know whose cycle that was and rode that home that was less than half a
kilometre. I had nothing waiting at home so I simply drank a glass of water,
there was no one home so no questions asked. While I was returning back to
school at the main cross road that was the highway connecting Indore to
Ahmedabad, it was an upward steep slope and my kenchi style could not give
enough thrust and just when I reached the road, I couldn't balance and fell
down, my head hit the road and I passed out for a couple of minutes when I came
to my senses I noticed a couple of buses had already passed and had steered
away from me. I got up little shaky and walked to school with the cycle, I had
no clue what I was doing but managed to put the cycle back to where I had
picked up and went to my class that had just started. There was blood on my collar
and someone noticed and told the teacher who promptly sent me to Dr Khadaite's
home and I was given dressings both physical and otherwise since Mrs Khadaite
was like my aunt, my mother's classmate-sister who went together to the silai-school.
Somehow I thanked my stars that it didn't get flared up or was it, I don't
remember that.
We used to call our school’s annual functions "gatherings"
and that was the best time of the year in the school although I never took part
in any cultural events, which were the best part besides the feasts that were
an everyday occurrence for all the three days. Every evening there used to be
cultural events and during the day there would be sports competition. The
sweets for the feasts would come from Indore and from each of the high school
class a select few students would travel to Indore with a teacher and bring
lots of sweets depending on the contributory collection. In the middle school
we considered this very privileged activity since we were not allowed to go to Indore
for this and this was restricted to high school classes only. I think in the 9th
standard I got my chance when I too went to Indore and to Sarafa Bazaar where Sweet
shops were concentrated, with a teacher and a couple of my classmates. Out
teacher had some social visit and we decided to take a break and went to Alka
Talkies near Jail Road to see a Biswajit- Babita-Helen starter film
"Kismat" and I still remember the song "kajra mohabbat
wala.." in which Biswajit was dressed as a woman to hide from cops or
someone. This was perhaps the first occasion for me to watch a movie in a big
hall on my own besides some movies that I saw in Dewas in Mahesh Talkies or
Nagar-niwas talkies during summer vacation with family. Oh yes, there was one
more occasion when we had gone to Indore to our Bua's place when I was 9 or so
and sneaked out on my own and went to Neelkamal talkies in Nandanagar area
without telling anyone. The movie running inside the hall was Rajesh Khanna
starter Aakhri khat. I had no money to buy ticket and stood there in front of
the entry gate for a long time, may be 10 or 15 minutes when a gatekeeper asked
if I want to see the movie, he knew I would love it since it was a story of a
small child played by Master Bunty who was too small and had disappeared and
the movie revolved around that event. I was only too happy to see the movie and
when I got back home, no one even noticed that I was missing for over 3 hours.
Record-action, as the name suggests are the dances performed
on stage when a song is played in the background. Unlike current days when you
play a song over Spotify or YouTube, back then you had a gramophone record
player that will play the choice of your song over a poly-vinyl record
connected to an amplifier system. They were itemised songs unlike the item
songs these days. Students would practice them for weeks before they put up the
show. Since there was no access to the real dance in the movie, the choreography
would be done by someone who has seen the movie or often times by watching the
performances of some other troupe that occasionally put up shows in Betma, where
an artist has performed/danced on the song. The songs that were quite popular
and performed year after year were like "jhumka gira re, Bareilly ke
bazaar men" and “Paan khae saiyaan humaare".. there would be some
comic skits and parodies too that would make people laugh heartily, like the
one that Damu created and that still tickles me to this day. " Tumane kisi
ki bhens (buffalo) ko jaate hue dekha hai, woh dekho mujhase ruth kar mera
paada ( a buffalo calf) ja raha hai”. The original song being: tumane kisi ki
jaan ko Jaate huye dekhaa hai, Wo dekho mujhse roothkar, Meri jaan jaa rahi
hai".
One day there was an extempore speech competition and I got
the chit " if, I were a Principal".. I came on mic and started with this…
“If I were a principal, I would remove the attendance
register and I will allow everyone to do what they want to. I will tell
teachers to distribute sweets in the classroom and I will debar teachers to
punish students and so on and on forth for about 10-12 minutes and everyone had
a hearty laugh and I won the competition, thanks to jury who loved my sense of
humour.
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